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Feminine Identity and Theories of the Intra/Inter National Subject:
La Vie rêvée and Anne Trister

Jean Bruce
Ryerson University

Abstract

This essay argues that La vie rêvée (Mireille Dansereau, 1972) and Anne Trister (Léa Pool, 1986) are historically significant cinematic texts that engage a number of critical issues concerning women and representation, namely the problems of constructing a feminine/feminist artistic practice, nationalism and sexual subjectivity in Québec. >>>>>>